Brian Hioe spoke to Blaine Whiteley about Earthfest, which will take place in Miaoli from July 21st through July 24th Read More
Organ Tapes’ Chang Zhe Na Wu Ren Wen Jin De Ge Yao, meaning something like “Sing the Song That Nobody Cares About”, is an ethereal album Read More
If the ideas that guide NYORAI’s album 雨の音 (rain sound) are not the most uncommon, with the Japanese producer citing the philosophy of Zen as an influence, the album is an intriguing combination of progressive electronica with ambient Read More
Brian Hioe spoke to Rubben from Eden Hill about their festival, which was originally scheduled for April, but had to be rescheduled due to heavy rain. Eden Hill will take place in Hsinchu on the weekend of June 17th. The following article originally appeared on Electric Soul, a Hong Kong-based electronic music magazine and ticketing platform, on March 30th Read More
Brian Hioe spoke to Hong Kong producer Joi Lau by e-mail about their new release on FuFu Records, “Gaia in Trouble.” The following article originally appeared on Electric Soul, a Hong Kong-based electronic music magazine and ticketing platform, on May 20th Read More
Dance Music Spaces: Club, Clubbers, and DJs Navigating Authenticity, Branding, and Commercialism, by Danielle Antoinette Hidalgo, aims to add to the relatively sparse genre of English-language ethnographies of dance music from a sociological perspective. Apart from examining dance spaces, the work focuses on three female artists, Peggy Gou, Honey Dijon, and The Blessed Madonna (formerly known as Black Madonna) in terms of how the three balance authenticity and commercialism Read More
Historically overshadowed and politically marginalized, indie rock bands such as Sorry Youth have helped spark a revival of Taiwanese Hokkien rock and gain mainstream significance Read More
Brian Hioe spoke with Steffen Sonnenschein about how The Lighthouse in Ho Chi Minh City has fared during COVID-19. The following article originally appeared on Electric Soul, a Hong Kong-based electronic music magazine and ticketing platform, on April 7th Read More
Fellsius’ five-song EP, Mesa, on Dome of Doom is a remarkable piece of work Read More
Hong Kong's FuFu Records continues its streak of strong, environmentally-conscious compilations with Double Happiness Vol. 5. Again bringing together a range of well-known, talented Asian producers to raise money for an environmental cause, this time proceeds from the album will be donated to Seven Clean Seas for plastic offsetting in the ocean Read More
JIN06 from Yetsuby, is an impressive display of range for the Korean producer. The EP was released on Taipei-based label JIN in mid-February Read More
Brian Hioe spoke with Arthur Bray from Hong Kong-based Yeti Out on how Yeti Out began, its successes to date, and what comes next for the platform Read More