Regarding Japanese photographer, contemporary artist Nobuyoshi Araki, I will discuss how the latecomers—Ren Hang, the Chinese photographer, and Manbo Key, Taiwanese photographer influenced by Araki, reenact his transgression but at the same time create something novel Read More
Chen Shui-bian has gone from a perceived cross-strait provocateur to memelord, as of late, with a series of viral images posted by Chen on Instagram and Facebook Read More
This year's election continued much of the same aesthetic tropes as previous elections. As with past years, it was the DPP that focused on aesthetics that could outreach to young people, and maintained the modernist aesthetic that has characterized pan-Green campaign advertising since the Tsai administration took power. While the KMT has significantly modernized its aesthetic in recent years, it is still the DPP that proved the more experimental in election advertising Read More
The month-long extravaganza of the Taoyuan Art x Technology Festival is being held until October 9th at the Taoyuan Arts Center in northern Taiwan Read More
New Bloom/No Man is an Island’s Brian Hioe interviewed artists Kappa Tseng and Chiang Tao about her recent art project, “The Collection of Time in the Polymer Age" Read More
For a week she stood inside a room at the Taichung train station. There was something quietly defiant about her stance, left foot crossed over her right, the weight of her body slightly on the back foot, as if she were just about to take a small step forward. Her chin tilted up so that her eyes, not fully shut, received light and her eyelids were pearly and diaphanous. She held a soft gaze, not focusing on anything in particular, but able to take in everything Read More
The Future Media Arts Festival at the Taiwan Contemporary Culture Lab, or C-Lab, offers a panoply of attempts to investigate the new, digital future that we seem to be hurtling toward. This is presented across multiple buildings and in a variety of formats, ranging from installations to video art Read More
臺灣藝術家鄭先喻正以臺北科技藝術圈難以企及的步調創作引人入勝的作品。他於 2019 年獲得第二屆銅鐘藝術賞,並於 2020 年夏季於臺灣當代文化實驗場 (C-LAB) 舉辦該獎項的個展。接著,於 2020 年 12 月加入由 C-LAB 舉辦、鄭淑麗策展的 「LAB KILL LAB 」實驗計畫,參與〈米學院之米蟲革命〉的製作。目前鄭先喻正於臺北市立美術館舉辦個展 「Injector after Null」,展出期間 3 月 17 日至 7 月 4 日。 Read More
The Su Beng Memorial Museum is small, occupying the two-floor apartment in Xinzhuang that Su Beng lived in at the time of his death in 2019. The museum may not offer any new insights for those familiar with Su’s life, but the history it displays is still revealing. Read More
Ryuichi Sakamoto and Shiro Takatani’s art installation, “Is Your Time,” proves a powerful meditation on the 2011 Tohoku earthquake and tsunami. This is presented through the piano at the centerpiece of the installation, which was discovered by Sakamoto in the ruins of a building in the affected Fukushima prefecture, left behind by its owners—wherever they might be now. The art installation is currently showing in the Taipei Music Center until November 14th, after having already been shown in Tokyo and Beijing Read More
Editor Brian Hioe spoke with Petr Danda, a Czech artist currently doing a residency at the Treasure Hill Artist Village in Taipei, about his ongoing Soundctuary (音廟) project. The following article originally appeared on Electric Soul, a Hong Kong-based electronic music magazine and ticketing platform, on October 8th. More collaborations between No Man is an Island/New Bloom and Electric Soul will be coming up! Read More
“A Century of Craftsmanship—The Wanhua Story” is a modest exhibition, occupying two small rooms in the Bopiliao Historic Block. However, the exhibition takes on new relevance following the COVID-19 outbreak that began in May. The outbreak began in Wanhua, among tea parlors that sometimes involve sex work, and then continued to linger in the area, spreading to the First Fruit and Vegetable Market and Huannan Market in southern Wanhua Read More