Everything Everywhere All At Once is a triumph. The film can be categorized as “Asian American film,” but it is much more than that—Everything Everywhere All at Once is bold, innovative, and high-concept, while managing to engage with personal themes Read More
Fashion is where Cèdric Alviani’s work shines in its commentary. The photographs were of outdoor fashion posters. Having been through the elements, the fashion statements the posters aimed to make look hollow. The superficiality associated with fashion photography in this context looks absurd. The colorful photographs scream out criticism of our contemporary consumerist world. This subversive commentary of our contemporary “fast fashion” culture is very self-aware, and in fact, is how the exhibition introduced itself Read More
Historically overshadowed and politically marginalized, indie rock bands such as Sorry Youth have helped spark a revival of Taiwanese Hokkien rock and gain mainstream significance Read More
Brian Hioe spoke with Steffen Sonnenschein about how The Lighthouse in Ho Chi Minh City has fared during COVID-19. The following article originally appeared on Electric Soul, a Hong Kong-based electronic music magazine and ticketing platform, on April 7th Read More
Fellsius’ five-song EP, Mesa, on Dome of Doom is a remarkable piece of work Read More
Although there have been several short fiction films about the 2019 Hong Kong protests, such as “Night is Young” and “Lost Pearl,” May You Stay Forever Young (少年) is perhaps the first full-length fiction film to address this tumultuous time in recent Hong Kong history. Given increasing censorship in Hong Kong, as with protest documentary Revolution of Our Times, May You Stay Forever Young could only see nationwide theatrical release in Taiwan. The film was in the running for "Best New Director" and "Best Editing" at the 58th Golden Horse Awards. Though it won neither, it did win the Network for the Promotion of Asian Cinema award at the Golden Horse Film Festival in 2021 Read More
There are few words fit to describe Blue Island, apart from “masterpiece.” The film stands out as an example of its genre, while also managing to be highly powerful and personal Read More
“Shunyata” sets high ambitions, with a frame narrative suggesting religious or spiritual undertones. Likewise, the film aims to dazzle through sound and image. Consequently, it demands concentration in order to mine out meaning Read More
The documentary "Singing in the Wilderness" is a look at a church chorus thrust into China's national stage after fame from participating in a televised singing competition. What makes this chorus especially interesting is that all its members are Miao—one of China's officially recognized ethnic minorities. Unlike the Muslim Uyghurs and Hui or Buddhist Tibetans, the Miao receive little international focus, which makes this documentary especially notable Read More
“Footnote,” directed by Zhengfan Yang, consists primarily of footage of Chicago cityscapes in 2020. The footage is mostly of empty streets, paired with audio from police radio in the background Read More
Hong Kong's FuFu Records continues its streak of strong, environmentally-conscious compilations with Double Happiness Vol. 5. Again bringing together a range of well-known, talented Asian producers to raise money for an environmental cause, this time proceeds from the album will be donated to Seven Clean Seas for plastic offsetting in the ocean Read More
Anatomy of Time follows Maem, the daughter of a clockmaker, and her relationship with a Thai military officer involved in the violent suppression of the Communist insurgency in the 1960s and 1970s. The film jumps between when the couple is young, as well as late in life, when Maem’s husband, who goes unnamed through the film, is ill and on his deathbed Read More