Brian Hioe spoke to Hong Kong DJ Finsent about his time in Macau during COVID-19 and how the scene in Macau and China has changed during COVID-19 Read More
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Minister of Culture Lee Yung-te made comments at the recent National Culture Congress earlier this month that might strike as somewhat unusual Read More
Brian Hioe spoke to Margaret Tra from SYS Sister Sounds, a collective which runs DJ workshops for women and non-binary people in Vietnam, among other activities Read More
Brian Hioe spoke with LJC and Dirty K about their recent release on the EP Tokyo Renaissance/Kazumi, which also features WRACK and T5UMUT5UMU. Tokyo Renaissance/Kazumi was released on Eastern Margins and pays tribute to the Japanese genre of electronic music known as hyper techno, as a way to reclaim localized Asian dance music Read More
Brian Hioe spoke to Blaine Whiteley about Earthfest, which will take place in Miaoli from July 21st through July 24th Read More
Organ Tapes’ Chang Zhe Na Wu Ren Wen Jin De Ge Yao, meaning something like “Sing the Song That Nobody Cares About”, is an ethereal album Read More
If the ideas that guide NYORAI’s album 雨の音 (rain sound) are not the most uncommon, with the Japanese producer citing the philosophy of Zen as an influence, the album is an intriguing combination of progressive electronica with ambient Read More
Brian Hioe spoke to Rubben from Eden Hill about their festival, which was originally scheduled for April, but had to be rescheduled due to heavy rain. Eden Hill will take place in Hsinchu on the weekend of June 17th. The following article originally appeared on Electric Soul, a Hong Kong-based electronic music magazine and ticketing platform, on March 30th Read More
As COVID-19 spreads throughout Taiwan as part of the current outbreak, what may be particularly of note is the degree to which the outbreak has interfaced with personal behavior Read More
Brian Hioe spoke to Hong Kong producer Joi Lau by e-mail about their new release on FuFu Records, “Gaia in Trouble.” The following article originally appeared on Electric Soul, a Hong Kong-based electronic music magazine and ticketing platform, on May 20th Read More
Dance Music Spaces: Club, Clubbers, and DJs Navigating Authenticity, Branding, and Commercialism, by Danielle Antoinette Hidalgo, aims to add to the relatively sparse genre of English-language ethnographies of dance music from a sociological perspective. Apart from examining dance spaces, the work focuses on three female artists, Peggy Gou, Honey Dijon, and The Blessed Madonna (formerly known as Black Madonna) in terms of how the three balance authenticity and commercialism Read More