Based on Yoko Ogawa’s popular novel, “Hotel Iris” is the latest movie that highlights Taiwan-Japan relations through the lens of love and lust Read More
Chinese animated movie "I Am What I Am" offers a dynamic and inventive depiction of working-class youth and lion dancing Read More
“Shunyata” sets high ambitions, with a frame narrative suggesting religious or spiritual undertones. Likewise, the film aims to dazzle through sound and image. Consequently, it demands concentration in order to mine out meaning Read More
Taiwanese film in the last decade seems to have been fixated on depicting random acts of violence committed by troubled youth. This is due to the impact of real-world events such as the “Little Lightbulb Murder” in 2016 and the Cheng Chieh subway stabbing in 2014–but also due to the in-depth media reporting on these incidents that followed Read More
Swingin’ aims to be a charmful, cute, and playful story, even as it touches on contemporary social issues still debated in Taiwanese society. The short film tells the story of eleven-year-old elementary schooler Qiu Qiu, who has two gay fathers, one of which is his biological father. However, the film focuses more on Qiu Qiu’s relation with his non-biological father, Wu Jia-hao. Read More
Over the span of nine years, documentary filmmaker, Wei Hsing Yang shot and edited Ballet in Tandem. The film is a true labor of love, with Mr. Yang spending two million NT of his own money, and fifty thousand NT from crowdfunding to receive a theatrical release. This debut film is a triumph and hardly feels like a young filmmaker’s work, as it is a film that handles the subject matter with great maturity. Read More
Part one of a two-part conversation on the critical success of Your Name Engraved Herein Read More
Fruit Chan's Coffin Homes (鬼同你住) is unlikely to find success on the international film festival circuit. For one, the film is likely to be billed as a comedy horror, though it is more accurate to locate the film in the mo lei tau style of Hong Kong slapstick Read More
The Soul stands out among recent Taiwanese film as an effective and well-executed commercial thriller. Though the film fails to stick the landing, with its convoluted and messy conclusion undoing some of the movie’s other merits, The Soul proves an entertaining watch—even a rather evocative one Read More
Give us art forms that tell an honest history not a whitewashed one of so-called founding fathers. If America, for example, needs more 1619 stories than it does 1776 ones, then Taiwan needs more stories about 228 and the White Terror Read More
“We Don’t Dance for Nothing” is a dance and theatrics filled “love letter” to a Fillipina migrant worker’s life in Hong Kong Read More
在尼科洛·馬基雅維里的《君主論》(Niccolo Machiavelli‘s The Prince)中,他用一個比喻來形容君主應該如何看待政治局勢:「正如那些繪風景畫的人們,為了考察山巒和高地的性質便側身於平原,而為了考察平原便高踞山頂一樣……」像馬基雅維里描述中理想的畫家一樣,克里斯托弗·諾蘭(Christopher Nolan),在《黑暗騎士》中徹底研究了他的題材,並意味這主軸在《天能》延續。在這裡,我想說這兩部電影精神是西方政治哲學動態為基礎。如果仔細閱讀,這兩部電影將其政治背景聯繫起來,可以說《天能》是《黑暗騎士》的「政治續集」。 Read More