Brian Hioe spoke to Margaret Tra from SYS Sister Sounds, a collective which runs DJ workshops for women and non-binary people in Vietnam, among other activities Read More
JoinedNovember 4, 2020
Articles340
Brian Hioe spoke with LJC and Dirty K about their recent release on the EP Tokyo Renaissance/Kazumi, which also features WRACK and T5UMUT5UMU. Tokyo Renaissance/Kazumi was released on Eastern Margins and pays tribute to the Japanese genre of electronic music known as hyper techno, as a way to reclaim localized Asian dance music Read More
Brian Hioe spoke to Blaine Whiteley about Earthfest, which will take place in Miaoli from July 21st through July 24th Read More
Organ Tapes’ Chang Zhe Na Wu Ren Wen Jin De Ge Yao, meaning something like “Sing the Song That Nobody Cares About”, is an ethereal album Read More
If the ideas that guide NYORAI’s album 雨の音 (rain sound) are not the most uncommon, with the Japanese producer citing the philosophy of Zen as an influence, the album is an intriguing combination of progressive electronica with ambient Read More
Brian Hioe spoke to Rubben from Eden Hill about their festival, which was originally scheduled for April, but had to be rescheduled due to heavy rain. Eden Hill will take place in Hsinchu on the weekend of June 17th. The following article originally appeared on Electric Soul, a Hong Kong-based electronic music magazine and ticketing platform, on March 30th Read More
As COVID-19 spreads throughout Taiwan as part of the current outbreak, what may be particularly of note is the degree to which the outbreak has interfaced with personal behavior Read More
Brian Hioe spoke to Hong Kong producer Joi Lau by e-mail about their new release on FuFu Records, “Gaia in Trouble.” The following article originally appeared on Electric Soul, a Hong Kong-based electronic music magazine and ticketing platform, on May 20th Read More
艾先生的作品對時尚所做出的評註,正是讓人眼睛為之一亮的地方。他的攝影作品是戶外經過了風吹雨打的時尚海報,這些海報想要表達的時尚宣言,看起來很空虛。 Read More
Dance Music Spaces: Club, Clubbers, and DJs Navigating Authenticity, Branding, and Commercialism, by Danielle Antoinette Hidalgo, aims to add to the relatively sparse genre of English-language ethnographies of dance music from a sociological perspective. Apart from examining dance spaces, the work focuses on three female artists, Peggy Gou, Honey Dijon, and The Blessed Madonna (formerly known as Black Madonna) in terms of how the three balance authenticity and commercialism Read More
Everything Everywhere All At Once is a triumph. The film can be categorized as “Asian American film,” but it is much more than that—Everything Everywhere All at Once is bold, innovative, and high-concept, while managing to engage with personal themes Read More
Fashion is where Cèdric Alviani’s work shines in its commentary. The photographs were of outdoor fashion posters. Having been through the elements, the fashion statements the posters aimed to make look hollow. The superficiality associated with fashion photography in this context looks absurd. The colorful photographs scream out criticism of our contemporary consumerist world. This subversive commentary of our contemporary “fast fashion” culture is very self-aware, and in fact, is how the exhibition introduced itself Read More