“We Don’t Dance for Nothing” is a dance and theatrics filled “love letter” to a Fillipina migrant worker’s life in Hong Kong Read More
English
Latest
Although most discussion of US House Speaker Nancy Pelosi’s recent visit to Taiwan has been about the geopolitical implications, a bizarre undertext to the visit was the frequent times that food came up as part of political attacks Read More
Taiwanese family drama “Reclaim” centers on a woman on the verge of retirement, but lacks dramatic punch and focus Read More
Taking its title from Edward Yang’s 1986 masterpiece, 2021’s “Terrorizers” draws from contemporary inspirations and fails to make an equivalent impact Read More
2022’s top Taiwanese romance blockbuster "My Best Friend’s Breakfast" will probably appeal to genre fans, but fails to innovate enough beyond established tropes for anyone else to enjoy Read More
Life for Sale is an ambitious work. While imperfect, the film is bold, and those willing to indulge some of its more visible flaws may find the journey rewarding Read More
Pingtung County recently began offering cash rewards for local residents that bring in an invasive vine, as part of an effort to prevent its spread. The vine, Mikania micrantha, is among the world’s 100 most invasive species, and is known for its ability to rapidly spread, even from branchlings, and it smothers native species by blocking access to sunlight Read More
Before Next Spring is a humanistic look at a group of young Chinese students working in Japan. Based on the experiences of first-time director Li Gen during his own time studying abroad in Japan, the film proves a strong debut Read More
Incantation is the latest Taiwanese film to try bridging traditionally Taiwanese elements with contemporary horror (other recent examples include 2019 hit Detention). The film has been highly successful at the box office, becoming the highest-grossing Taiwanese movie of 2022 thus far. In fact, the film’s distributors tout it as being the highest-grossing Taiwanese horror movie of all time; the film made 23 million NT in its first three days in theaters. It may not be surprising, then, that Netflix will soon distribute Incantation internationally. Read More
New Bloom/No Man is an Island’s Brian Hioe interviewed artists Kappa Tseng and Chiang Tao about her recent art project, “The Collection of Time in the Polymer Age" Read More
Brian Hioe spoke to Alexmalism, who researches electronic music culture as a Ph. D candidate at the City University of Hong Kong, and is also a DJ, producer, and sound artist. The following article originally appeared on Electric Soul, a Hong Kong-based electronic music magazine and ticketing platform, on December 21st, 2021 Read More
The latest online blow-up by authoritarian leftists–commonly referred to as tankies–proves a bizarre one Read More